#'but how can you have an opinion if you haven't played it'

[oneletteredwondered]

!!!!!

That's the thing!!! C!Thomas could probably benefit from indulging in dark creativity, be that breaking something, writing something gruesome, or in general just screaming really loud. He hasn't ever really fully leaned into that and I think it'd be good for him to have that catharsis.

But dark creativity and intrusive thoughts are not the same and can't be treated that way regardless of the fact they are combined into the one facet.

Especially in WTIT where he's fully leaned into the intrusive thoughts role.

Dark creativity is generally beneficial to Thomas because giving Thomas a greater perspective for his art is useful. However, intrusive thoughts are never helpful, and none of them have anything to do with the actual issues Thomas is dealing with. Generally Remus is much more likely to emerge and cause chaos when Thomas is already upset or anxious about something else because when Thomas is already feeling low, it is easier to further upset him. You could say that Remus showing up is beneficial to the other sides to indicate to them that Thomas is upset about something, but nothing Remus does has anything to do with his actual issues or realistic problems, he is just creating more anxiety and chaos because it is fun for him, and that anxiety and chaos that Remus causes has nothing to do with Thomas's actual real life issues, they are separate.

As someone who also has intrusive thoughts (twinsies, you and me, I want the window seat), I agree that Remus works like a litmus test, but more so like a check engine light. The light comes on when something is wrong enough, but the light itself does not tell you exactly what is wrong. You have to go into the system, you can't just trust the light. Remus comes around when something is wrong, but hes not giving any good indication as to what. He's playing to sensitivities and insecurities, and while those things are stuff to work on, they are not the root problem. He's misleading.

The issue is that, if Remus is showing up to show something is wrong and he's trying to help fix it, he's going about it in the literal worst way possible. He's not helping by making Thomas anxious and giving him Intrusive thoughts. And he's not really trying to guide anyone to a solution either. Yes he tells Logan he can't fix Thomas by himself, but that's more of a dig at Logan specifically cause Logan would want to fix Thomas by himself, and he can't. Remus is enjoying the misery.

He may be recognizing something is wrong, but he doesn't seem to care about the solution. If anything, it would be more beneficial for Remus if Thomas was to remain upset and anxious cause that's when remus is more likely to be listened to and kept around.

On one hand I can agree that it might be a disservice to reduce Remus to shits and giggles. How ever, he hasnt really proved much reason otherwise. In general I actually do believe he is in it for shits and giggles and that his character is that one dimensional. He's shallow enough that he would do things, and has done things, for the soul purpose of making someone upset or because he thinks it's funny.

The only solution I can see him being a part of is pushing Thomas so far to the breaking point so that he does indulge in dark creativity, but if he does that, he's not doing that to fix things, he's doing it because it's going to be fun.

In the end I think we just have a fundamental disagreement on what Remus motive is. I just haven't seen anything that indicates he wants to help as a whole. He likes poking the bear "just because" in my opinion.

But I do still agree with original sentiment, I think he's incredibly clever in the way he does what he does, he knows exactly how to get under everyone's skin and takes full advantage of it.

I don't think Remus is given enough credit for being clever.

[bird-inacage]

The Heart Killers EP1: Early Hints into Kant's Backstory

Kant is shaping up to be a very intriguing character in my opinion, and no doubt more so thanks to Khaotung's gushing. We've already been given a number of early signposts towards Kant's backstory, so this is my recap and speculations on what we know so far.

THE SKILLS OF A THIEF

We're shown through a flashback that Kant used to steal cars and sell them on - a series of crimes which Captain Chris agreed to disregard in exchange for Kant's previous assistance on his cases.

The natural question to ask would be why? Why was Kant stealing cars? If I were to hazard a guess, possibly due to dire financial straits where this was his only means to support his family. Bison comments, "from your car and how you dress, you don't look like a typical tattoo artist, you know? More like those uppercrust tattoo artists." Kant retorts he just makes enough to get by. I wouldn't be surprised if he and his brother did grow up in some form of poverty or limited means. It would then make sense then why Kant is so driven to support his brother's dreams - because they've felt so out of reach.

The other big question on my mind is why involve Kant? Did Chris see this as a form of charity or rehabilitation for a wayward youth, or an opportunity to exploit a boy who happened to possess valuable skills? "Keep your eye on you and your brother's future. You're a smart brat. You'll find a way." Either Chris is a dubious cop with questionable methods (including coercion), or Kant is a budding criminal mastermind whose too slippery not to be kept on side by the police. (If anyone remembers the Leonardo DiCaprio film 'Catch me if you can', the film's young protagonist is extremely adept at fraud and once caught, is then hired as a fraud detective due to his knowledge and experience of such crimes).

There has to be more than just Kant's history of stealing cars that has Chris so confident in his ability to help with this specific case. And to tackle hitmen of all things where Kant's life could be in serious danger.

AN ELUSIVE FATHER

Kant's parents have not been explicitly mentioned, but references to his father have been implied. They certainly don't live with parental figures so Kant appears to be Babe's sole legal guardian. As he's now 29 years old, Kant may have taken Babe with him once at legal age, or after reasons that kept their parents out of the picture.

In Kant's first scene, he gets a call from a contact named "old fart". My immediate hunch is this could be his father. Moreso, Kant looks visibly exasperated so they're clearly not on the best of terms.

I may very well be jumping here, but something has me speculating if Kant's father had any influence on his car theft; whether his father was the one who taught him how, or was in some form of trouble that Kant stole cars to fend for him and his brother out of desperation.

On a contrasting note, Kant does mention that his father left him his car, a possession that seems particularly dear to him as he's constantly warding off Style's attempts to pry it from his hands. It later becomes the very demand Style bargains for in order to agree to help distract Fadel, and Kant is visibly reluctant to let it go. Needless to say, his relationship with his father may be complicated.

BROTHERLY AFFECTION

We haven't been told Babe's age, but he's been seen wearing school uniform in some BTS photos - so late teens would be my guess. Babe expresses an interest in English literature and Shakespeare, vowing to visit the UK eventually to see his plays in person. If the two brothers did grow up under difficult circumstances, it would be safe to assume that such academic pursuits and going overseas would seem like a luxury, and very much aspirational rather than realistic.

Despite this, Kant is clearly very supportive of his brother's interests and wellbeing. He's very fond of him, and Babe is the sole motivation for why Kant is blackmailed into assisting Chris. This love goes both ways. Babe doesn't ask too many questions about what Kant gets up to as long as he's being safe. He looks happy for him when he spots Kant and Bison together.

I wonder if he has any idea of Kant's criminal history or that he's been assisting the police. My instinct would be no, as Kant would likely be inclined to protect his brother or to prevent him from worrying.

If anyone knows Thai and can translate, I'd be interested to know if there are any notable tidbits visible on Kant's criminal file (above).

You can keep tabs on bird-inacage’s BL meta directory for my other long-form posts around The Heart Killers, which I’ll be updating in real time as the show airs. Probably worth reading my analysis on the FK's character interviews where some of these points are touched on.

[narcjsistx]

𝐔𝐍𝐄𝐗𝐏𝐄𝐂𝐓𝐄𝐃 | kaiser x reader

— part six

plot: kaiser comforted you after a bad and slow breakup, but what will happen now considering what you two shared? is everything still unexpected or is there something you both simply have yet to realize?. fluff shit 'cause yeah!!

words: 2.8k (2821)

extra: it will probably become a multi part story, tell me if you're interested in a part seven!. really a little suggestive at the end but it's literally nothing, but I thought it was right to say it

𝐌𝐘 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓 ; take a look, trust me!. you can find the other parts of the story by searching in the section dedicated to bllk

The bags fall to the floor almost immediately, dropped from your hands that can no longer hold them. Michael's eyes are fixed on you, and you struggle, even for a few seconds, to hold his gaze. You reflect in his cerulean eyes a subspecies of betrayal, or even hatred; in all the years that you have known him, he has never looked at you like this, and it scares you. You shake more than you should, you even feel difficulty breathing. If hell wants to take you, it's succeeding. You immediately regret even opening that drawer

The letter, clean and tidy, shines on the table: the white, shiny paper, now seems to have your finger prints on it, prints that should only have been Kaiser's when he wrote it. The air is heavy, and heavy is your sense of oppression now

"Micheal I can-" you say almost in a whisper, but you remain silent when you see him take the letter in his hand "Sit down" he says while his eyes now scan the writings he himself has written. You swallow nervously, and quickly do as he says, sitting parallel to him, in the chair in front of his

You watch him as he rereads the letter once, twice, five, ten times, always taking the same amount of time. He never dares to look up at you, not even when he takes a break between readings. After minutes that seem endless, the only sound that escapes his lips is a heavy sigh, perhaps held in for a long time; one hand places the letter back on the table, the other reaches the bridge of his nose, which he massages with his fingers. He's visibly shaken, and you don't blame him, you're still shaking after all these minutes too

"So..." he says after a moment, taking his time to perhaps choose the right words "You read everything" he says looking up a little

You feel the skin on your body almost not sticking to your bones anymore, a sensation that you haven't felt even in one of your worst arguments with Gabriel. Probably if it had happened to you some time ago you wouldn't have understood the reason for this feeling, but now after all you know how to explain it: you love Michael, you're worried that he doesn't want to see you anymore after this. You care about him, about his opinion, about everything he does, unlike Gabriel

If until now, or at least until a few months ago, Gabriel was the person you worried about most in the world, now that role is played by another person. And this person is Micheal Kaiser

You want to talk, make up an excuse, but you know it wouldn't make sense; right now everything is too obvious, there are no openings to escape to and honestly you don't even want to lie to Micheal. The words die in your mouth, making you stay silent and without a truth to say. You stay silent because you don't know how to explain everything, and Micheal seems to notice your difficulty, because it seems more attentive

"I really don't know what to say to you either, Y/n. I wouldn't have even in the worst case scenario imagined something like this" he says with a calmness that hides so much anger, which you can see in the way he holds back some words "I just wonder why you would want to read something like this, especially considering it was hidden. Haven't you asked yourself why it was hidden?" he asks, but it's a question you know you can't answer because he's right "I'm just wondering... what the fuck is wrong with you? I really need to know, because now you know everything about me, that I've loved you for too long, that I dreamed that you were my wife, but what do I know about you?" he asks smiling almost hysterically, probably because of anxiety

The weight of the situation seems to crush you as if you were a simple feather: it kills you, it leaves you suffering and with each passing second it seems to strangle you more and more. Kaiser looks at you, waiting for answers that you have but that you don't really know how to explain to him. You can't explain to him how much you, only after years of him being in love with you, understood that you loved him too. You can't explain to him how hard it is for you to see the hatred he feels for you now, which he absolutely has the right to feel, but which still hurts

You can't explain to him how much you now just want to tell him that you would like to resolve the situation by kissing him and starting over something that probably just needs communication between the two of you

"You had the courage to read all that but not answer me?" he asks, raising an eyebrow, and you look down, keeping your hands in fists in your lap "You think you can solve everything with your silence? No, fuck, you can't, because this is literally a violation of my privacy. Do you realize how much I feel like shit right now knowing that you know things that I've kept from you for years just so our relationship wouldn't go to hell?" he says, and his tone of voice rises a little "Do you really have the courage to say nothing after finding out I love you?" he says, but the last sentence sounds more like a whisper desperate than an exclamation of complete meaning

"Micheal, please" you say with a shaky voice, trying to get a little bit of his pity, but you hear him laughing in an almost amused way "Please? You beg me? And what am I supposed to do, beg you to forget everything I've written over the years on those pieces of paper? Are you seriously asking me to give you a break when you literally did everything yourself, sticking your nose into things that didn't concern you?" he says, but at the last sentence you feel something inside you stir "They didn't concern me? Are you kidding?" you ask looking up, and you notice surprise in his eyes when he sees you answer him "That's not what matters, you literally discovered things that you shouldn't have known even when you were dead" he says, and for the umpteenth time it seems unfair to you "You should have told me" you say with a sudden conviction, but one that you don't really feel. You're just trying to find a way to calm him down, but with strange methods

In your eyes, Micheal seems to be on the verge of breaking. Everything he has kept inside for years is threatening to come out and he himself is realizing it. Everything he kept in his Pandora's box is now coming out like a menacing monster

"What was I supposed to tell you? That every night since you've been with that man, I hoped he'd die so I could finally tell you the truth? That I wanted to see you smile so badly that I gave 101% in matchs knowing you were watching me? That I dreamed for years of the feeling of being able to call you my girlfriend without being afraid? That I spent days locked in the house when you said you were leaving for Italy and leaving me alone? That everything I did was to make you happy and make you see that it wasn't just normal affection?

That I kissed other girls hoping it was your lips and not theirs? That I dreamed a million times of a future where you were my wife? That I always had a bottle of your perfume that I carried with me when I was out of town? That there's a picture of you and me as teenagers in my wallet?

That I lost weight when I found out Gabriel was taking you away from me? That Ness himself always thought me that you didn't feel the same way about me? That every time I saw you walk by I dreamed of you running to hug me?

That I dreamed of another universe where I could really be happy with you, where we were together, we could kiss and hug each other, we were husband and wife, we even had children, where everything was really perfect at least in my eyes?

That you were the only one I cried for? That you are the only person who knew what I went through with that asshole of a father of mine? That the feeling of even hearing your name made me happy? That seeing you after months of separation was like a liberation? That loving you for me was the only great joy my life has given me? That for me you are always be everything?

That ever since I found out that you and Gabriel fought often I was happy? That every time you told me about your arguments I hoped you would break up? That I hoped that the last fight was really the last? That running to you in Italy after your breakup was the moment I looked forward to more than when I have to score a goal? That feeling your arms around my neck while you hugged me after so long made me feel alive? That the sensation of finally having your lips on mine was like entering heaven? That letting you love me that night was like I had never really experienced anything, because there was no comparison in having sex with you?

How could I tell you all this, Y/n, knowing that it wasn't reciprocated? That by doing so I would be pushing away the only person whose thoughts about me I truly care about?"

The tremor you were feeling until now seems to disappear, replaced now by a feeling of liberation that perhaps Kaiser is feeling now too. The weight that was crushing you to death lifts as all his thoughts come to the surface, thoughts so intimate that not even letters could have

Kaiser has unconsciously risen from his chair, his arms stretched out against the table. He is breathing heavily, and it seems only now that he realizes what he has actually said, that the monster he kept in his Pandora's box has come out and destroyed the entire village. It seems as if what he has wanted to say for years has come out now, but he had not kept in mind the consequences of his words. For the first time, he seems like the least alien stranger you've ever met: you didn't know his feelings, but now his words have weight of no small importance

The real Micheal Kaiser, after years, is finally before your eyes, alive as only a human can be, dressed with a level of intimacy that probably few people can reach. Micheal Kaiser has finally shown who he is to the person he has always loved with an almost impossible level

"Micheal, I-!" you say, getting up from your chair too, but something inside you seems to block you from moving. It's time, now or never. You don't even know for sure if he still feels everything he just said, if he really is still in love with you that much, but now it's your turn to lay yourself bare. You love him, you know you do it for years, you know that everything you had with Gabriel was just something you were looking for from Micheal

"Micheal, listen to me, I-" you say trying to find the words, but everything inside you dies the moment he lowers his gaze "Forget everything"

And suddenly, all the weight that was gone comes back stronger than before, not even giving you time to realize. The belief you had until a few seconds ago suddenly seems to be a nonsense that you were about to reveal. Michael breathes loudly, with a calmness that doesn't belong to the situation. You watch him as he stands up straight, no longer with his arms stretched out against the table. It seems as if he has just realized the consequences of his words and that everything he said came out only because it had to come out, not because it had to reach your heart; freeing oneself, not acting for something. And it's exactly that "Forget everything" that comes out of his lips that makes you the angry one in this situation this time. It annoys you that now he is you, the person who would like to escape, that just at the moment when you were about to be the one naked in front of his eyes, he decided to close them

A last sigh escapes his lips before he silently makes his way out of the room, towards the door behind you. He is running away, running away from something that this time he has caused: there is a strange connection in your own situation, as if you were both two identical, yet different, sides of the same coin. In a lightning-fast move you place yourself between him and the door, your arms open and resting against the adjacent walls. Your heart is beating too fast, you don't even know what you're really doing, but it seems right in a corner of your soul. Kaiser looks up, staring at you with a hint of annoyance that actually covers something else

In a few days you went from best friends, to lovers unaware of each other, to strangers, to rival for annoyance and now? What are you two now?

Neither of you dares to utter a word, but your eyes seem to communicate with a language that your minds struggle to understand. It is something fine, that can easily break, but that is saying everything that you have hidden from yourself for years. It's a language that only two people who have done everything to hide their feelings so as not to hurt each other can understand with inhuman ease

“Say it” you say confidently, knowing that what you think is finally coming “Say it, because I know you think it. And I think it, too, Michael.”

You would have, or rather, you should have been honest with each other so many years ago. His tense nerves finally seem to melt away when he hears your words, now light as a feather

"I love you" he says, in a way that seems to carry with it many sleepless nights, lost because of thoughts. Finally, both you and him, have taken off the last crumb of weight that you were carrying; you smile almost unconsciously, bringing your hands between his jaw and his cheeks "I love you too, Michael"

It is in that moment that the knot you were holding tight in your stomach goes away, it is in the same moment that everything seems to take on a new shade. It is in that precise moment, where Kaiser throws himself violently on your lips, that shivers of love run through your whole body

The sensation he longed for is finally here, as he kisses you with an almost aggressive tenderness. You kiss each other back, feeling for the first time the real butterflies everyone talks about. It's a needy kiss, that perhaps he waited too long and that is taking everything now; but it's beautiful, loved, and you wonder how you and him could have waited so long if you knew the outcome was something like this, so exciting and inexplicable

His hands move to your hips, squeezing them lightly with a firm grip, as if he wants to make sure you're there. The kiss doesn't seem to end, as you hold each other, your body smeared against his and vice versa. There's something that maybe you're both still holding back but that's slowly coming out of you. Everything becomes more needy, just like that night in the hotel: the kiss becomes more aggressive, his hands tighter, your hands sweatier as you slide them along his neck, tracing the outline of his tattoo. You feel him tremble, as he moves his lips to your neck, letting soft sighs escape your lips, while suddenly everything seems to take a turn that you've both already experienced a few weeks ago

You don't know how, a few minutes later, you found yourself in his room, lying on his mattress with him on top of you, still aggressive on your neck. But you liked him so much that your legs were shaking for the emotion

You loved Michael Kaiser. Michael Kaiser loved you. You loved each other, and it took you years to realize what you could have experienced already at 19 years old. But now, at this moment, in his room, you loved each other

And that's what mattered to you

tag(s): @rroxii ; @kittenish0 (if you want to be tagged tell me!)

READ IS IMPORTANT!!: the story seems finished but NO, let's say we are only halfway through what I have in mind. thank you so much for all the support I'm receiving, I think I don't deserve it actually 🥹 love y'all 💗🌷

[brf-rumortrackinganon]

So how do you think Harry's kids got here? Do you think a surrogate was used? Do you think a donor egg and/or sperm was used?

I'm of the opinion a surrogate was used for both kids and that they might not be 100% their biological children. I know some people say Archie looks like August and Lili from her photo when she was one years old is supposed resemble the late Queen at that age. But people often see what they want when deciding who kids look like and kids can look like different people as their faces change.

You could go to any school in multiple countries and find a kid who looks just like Archie and we don't know what Lili looks like because whenever she's been "papped" the person apparently used the worse camera ever and their specially is blurry photos.

More importantly for me the question is why the BRF have played along is it just because they were afraid of being called racist if they said Archie isn't eligible to be in the line of succession? Do they not actually know whether a surrogate was used or do they simply not care?

For Harry and Meghan they should have been open about using a surrogate. They would have received so much support, there would be the conversation about whether people should use surrogates but the majority of the UK would've supported their decision to have a family. Funny thing is it would've made their kids special and got them the attention they wanted. Hiding all the details about the kids has resulted in no one caring about them or having any connection to them.

I would like the truth to be publicly known even it causes problems for the BRF. You won't generally find me defending members of the British aristocracy but if they have to adhere to the succession laws then so should members of the BRF.

I shared my thoughts on this several months ago (sometime between February - May 2024) but I haven't been able to dig that post up. I'll repeat what I said here but I will not be discussing this topic any futher after this gets posted.

What I said several months ago still remains true: Sometimes I think it was a gestational surrogate. Other times I think she really did carry Archie.

On the gestational surrogacy: Their story of Archie's birth, as told via Spare, gives me extraordinary pause because medically, none of what Harry says happened is/was possible. The lack of detail and/or sob story from Meghan also gives me pause. Consider the way she shouted from the mountaintops about her miscarriage in the New York Times. Now consider how silent she's been about her traumatic birth with Archie (according to Harry) or about how California's COVID protocols during her pregnancy with Lili may have affected her mental health. I specifically point out the latter because most of the women I know who were pregnant and/or gave birth between March 2020 - Summer 2021 talked a whole [fork] ton about the COVID protocols in place that made pregnancy an awfully lonely experience. Additionally, Meghan's desire for privacy on these experiences contradict her usual preference to compete with and/or one-up Kate. Since we know Kate had difficult pregnancies, we expect Meghan to either claim she had it worse (which Archie's traumatic birth as described by Harry in Spare definitely is, since KP's reports of the three Cambridge births were "textbook and uneventful") or her pregnancy was so easy, so straightforward, so textbook, so uneventful that she was literally a goddess of pregnancy. But yet Meghan has remained suspiciously silent, even when she's doing her "as the momest mom to ever mom" PR.

On the "Meghan really carried Archie" side: I have a cousin who's as thin as Meghan was pre-Archie, right down to the ankles that could snap. Like Meghan, my cousin's only weight gain during both of her pregnancies was in her belly/baby bump. So I know it's possible for some women to gain no weight but the baby bump. And second, Meghan did gain weight during her third trimester - she was noticeably fuller in her face at the Windsor presentation and had a noticeably fuller body at Trooping and Wimbledon and appeared to struggle losing the weight until spring 2022/Platinum Jubilee. We know that Meghan is incredibly vain to where she wouldn't have gained all that extra weight without good reason - after all, she made Trevor sign a pre-pregnancy contract listing her demands / requirements to get her body back should they have a baby.

Now to your questions:

is why the BRF have played along is it just because they were afraid of being called racist if they said Archie isn't eligible to be in the line of succession? Do they not actually know whether a surrogate was used or do they simply not care?

I've already covered this here. I think you can find it under the surrogacy tag. So I won't go into too much here.

My theory for why the BRF played along is because they didn't know there was a surrogate until it was too late and by then, they were already trapped in the scheme so they had no choice but to go along. Presenting their schemes as faint accompli has been Sussex MO for a very long time, with no one developing a spine until they demanded to commercialize the monarchy.

My theory for why the BRF continues to play along is because Charles is somehow involved and/or implicated and that truth coming out would lead to a scandalously huge lapse in confidence that could only be reconciled by his abdication to William. Charles has waited too long to be top dog to let anything get in his way and I suspect that we'll only find out the truth (or even a partial truth) if Clarence House finds a way to untangle Charles from it.

As I said at the beginning of this post, I won't be discussing this anymore and will not be posting any asks resulting from this. You're free to discuss in comments or reblogs, though.

[uncanny-tranny]

I know this is a very unoriginal observation (much like any other), but I'm finally reading The Great Gatsby, and even I wouldn't describe men the way Nick does.

[laugtherhyena]

3:23AM, time to post Hatamori fankid and retreat back into my hiding hole

[longagoitwastuesday]

So so indebted to u for posting those lovely illustrations from Cyrano <333 & even more so for yr tags!! I'm completely in love w yr analysis, please feel free to ramble as long as u wish! Browsing through yr Cyrano de Bergerac tag has given me glimpses of so many adaptations & translations I'd never heard of before! I'll be watching the Solès version next, which I have only discovered today through u ^_^ As for translations, have u read many/all of them? I've only encountered the Renauld & Burgess translations in the wild, & I was curious to hear yr translation thoughts that they might guide my decision on which one I buy first (not necessarily Renauld or Burgess ofc). Have a splendid day & sorry for the likespam! 💙

Sorry for the delay. Don't mind the likespam, I'm glad you enjoyed my tags about Cyrano, and that they could contribute a bit to a further appreciation of the play. I loved it a lot, I got obsessed with it for months. It's always nice to know other people deeply love too that which is loved haha I hope you enjoy the Solès version, it may well be my favourite one!

About translations, I'm touched you're asking me, but I don't really know whether mine is the best opinion to ask. I have read... four or five English translations iirc, the ones I could find online, and I do (and especially did, back when I was reading them) have a lot of opinions about them. However, nor English nor French are my first languages (they are third and fourth respectively, so not even close). I just read and compare translations because that's one of my favourite things to do.

The fact is that no translation is perfect, of course. I barely remember Renauld's, but I think it was quite literal; that's good for understanding the basics of the text, concepts and characters, but form is subject, and there's always something that escapes too literal translations. Thomas and Guillemard's if I recall correctly is similar to Hooker's in cadence. It had some beautiful fragments, some I preferred over Hooker's, but overall I think to recall I liked Hooker's more. If memory serves, Hooker's was the most traditionally poetic and beautiful in my opinion. Burgess' is a whole different thing, with its perks and drawbacks.

Something noticeable in the other translations is that they are too... "epic". They do well the poetic, sorrowful, grief stricken, crushed by regrets aspects of Cyrano and the play in general, but they fall quite short in the funny and even pathetic aspects, and that too is key in Cyrano, both character and play. Given the characteristics of both languages, following the cadence of the French too literally, with those long verses, makes an English version sound far too solemn at times when the French text isn't. Thus Burgess changes the very cadence of the text, adapting it more to the English language. This translation is the one that best sets the different moods in the play, and as I said before form is subject, and that too is key: after all, the poetic aspect of Cyrano is as much true as his angry facet and his goofy one. If Cyrano isn't funny he isn't Cyrano, just as he wouldn't be Cyrano without his devotion to Roxane or his insecurities; Cyrano is who he is precisely because he has all these facets, because one side covers the other, because one trait is born from another, because one facet is used as weapon to protect the others, like a game of mirrors and smoke. We see them at different points through the play, often converging. Burgess' enhances that. He plays with the language itself in form and musicality, with words and absences, with truths masking other truths, with things stated but untold, much like Cyrano does. And the stage directions, poetic and with literary value in their own right in a way that reminded me of Valle Inclán and Oscar Wilde, interact with the text at times in an almost metatextual dimension that enhances that bond Cyrano has with words, giving them a sort of liminal air and strengthening that constant in the play: that words both conceal and unveil Cyrano, that in words he hides and words give him away.

But not all is good, at all. Unlike Hooker, Burgess reads to me as not entirely understanding every facet of the characters, and as if he didn't even like the play all that much, as if he had a bit of a disdainful attitude towards it, and found it too mushy. Which I can understand, but then why do you translate it? In my opinion the Burgess' translation does well bending English to transmit the different moods the French text does, and does pretty well understanding the more solemn, cool, funny, angry, poetic aspects of Cyrano, but less so his devotion, vulnerability, insecurities and his pathetism. It doesn't seem to get Roxane at all, how similar she is to Cyrano, nor why she has so many admirers. It does a very poor job at understanding Christian and his value, and writes him off as stupid imo. While I enjoyed the language aspect of the Burgess translation, I remember being quite angry at certain points reading it because of what it did to the characters and some changes he introduces. I think he did something very questionable with Le Bret and Castel-Jaloux, and I remember being incensed because of Roxane at times (for instance, she doesn't go to Arras in his version, which is a key scene to show just how much fire Roxane has, and that establishes several parallels with Cyrano, in attitude and words, but even in act since she does a bit what Cyrano later does with the nuns in the last act), and being very angry at several choices about Christian too. While not explicitly stated, I think the McAvoy production and the musical both follow this translation, because they too introduce these changes, and they make Christian as a character, and to an extent the entire play, not make sense.

For instance, once such change is that Christian is afraid that Roxane will be cultured (McAvoy's version has that infamous "shit"/"fuck" that I detest), when in the original French it's literally the opposite. He is not afraid she will be cultured, he is afraid she won't, because he does love and appreciate and admires those aspects of her, as he appreciates and admires them in Cyrano. That's key! Just as Cyrano longs to have what Christian has, Christian wants the same! That words escape him doesn't mean he doesn't understand or appreciate them. The dynamics make no sense without this aspect, and Burgess (and the productions that directly or indirectly follow him) constantly erases this core trait of Christian.

Another key moment of Christian Burgess butchers is the scene in Arras in which Christian discovers the truth. Burgess writes their discussion masterfully in form, it's both funny and poignant, but it falls short in concept: when Cyrano tells him the whole discussion about who does Roxane love and what will happen, what they'll do, is academic because they're both going to die, Christian states that dying is his role now. This destroys entirely the thing with Christian wanting Roxane to have the right to know, and the freedom to choose, or to refuse them both. As much as Cyrano proclaims his love for truth and not mincing words even in the face of authority, Cyrano is constantly drunk on lies and mirages, masks and metaphors. It's Christian who wants it all to end, the one who wants real things, the one who wants to risk his own happiness for the chance of his friend's, as well as for the woman he loves to stop living in a lie. That is a very interesting aspect of Christian, and another aspect in which he is written as both paralleling and contrasting Cyrano. It's interesting from a moral perspective and how that works with the characters, but it's also interesting from a conceptual point of view, both in text and metatextually: what they hold most dear, what they most want, what most fulfills them, what they most fear, their different approaches to life, but also metatextually another instance of that tears/blood motif and its ramifications constant through the whole text. Erasing that climatic decision and making him just simply suicidal erases those aspects of Christian and his place in the Christian/Cyrano/Roxane dynamic, all for plain superficial angst, that perhaps hits more in the moment, but holds less meaning.

Being more literal, and more solemn, Hooker's translation (or any of the others, but Hooker's seems to love the characters and understand them) doesn't make these conceptual mistakes. Now, would I not recommend reading Burgess' translation? I can't also say that. I had a lot of fun reading it, despite the occasional anger and indignation haha Would I recommend buying it? I recommend you give an eye to it first, if you're tempted and can initially only buy one.

You can read Burgess' translation entirely in archive.com. You can also find online the complete translations of Renauld, Hooker and Thomas and Guillemard. I also found a fifth one, iirc, but I can't recall it right now (I could give a look). You could read them before choosing, or read your favourite scenes and fragments in the different translations, and choose the one in which you like them better. That's often what I do.

Edit: I've checked to make sure and Roxane does appear in Arras in the translation. It's in the introduction in which it is stated that she doesn't appear in the production for which the translation was made. The conceptualisation of Roxane I criticise and that in my opinion is constant through the text does stay, though.

[iridescentis]

Chapter 5 of We Were Younger has a very important choice at the end, and I will be bringing those choices over here! Since most people are more comfortable clicking a button than leaving a comment :)

Should Noel report Talia's YouTube account, getting her banned so Mischa never meets her at all, or should he just leave it, drop a comment of his own and let fate take its course?

[gender-euphowrya]

wouldn't it be nice. if people made sure they knew what the fuck they're talking about before talking about it

[oveliagirlhaditright]

I forgot to mention that I saw the trailer for the new the The Hunger Games movie when I went and saw Blue Beetle (the prequel, you know?) and it does look really good (even though at first I was unsure about it). I'm probably for sure going to see it when it comes out. Though this will be the first time that I haven't read the book first... unless I do end up reading the book between now and then.

[optiwashere]

what are your thoughts on the differences between Early Access characters and full release? Did you play it?

I don't play early access games. I don't have the time for it, believe it or not, and I also don't want to burn myself out on (usually) shittier versions of games without experiencing the full scope. If someone wants me to beta test their game, they can pay me.

I played the first Darkest Dungeon in the earliest patches, and it's forever tainted my perception of early access games for me personally.

That said, I can only go off of what people say about those versions of the characters and that is exceedingly difficult without just watching playthroughs of those various versions. Why? There are plenty of people who have their heads on straight, but I see enough mythologizing of cut content, older sketches of things, etc. for me to be wary of relying on second-hand accounts. And I definitely don't have time to watch playthroughs of an obsolete version of this video game lol.

Anywho, my point is: I like the game at release. Thinking about what was and what could have been is as useful to me as rocks in my shoes. I prefer to discuss what we have.

[luxrayz64]

reading thru the notes of that post abt video game movie adaptations and wow some of you guys are really fucking stupid 😭 do you on god want an undertale movie?? the fucking POINT of undertale is it being a narrative that YOU change with YOUR choices. it's not a narrative that can WORK otherwise. sure, you could just make the movie follow the pacifist route, but it takes out the effort and meaning that goes into getting that ending. it takes out the choice that YOU MADE to spare everyone. it also completely BREEZES PAST iconic elements of the game: omega flowey, killing toriel feeling bad about it and saving her and the game knowing what you did, the neutral endings, everything to do with the genocide route, WHY WOULD YOU WANT THAT

[vilelittlecritter]

I hate when I'm trying to enjoy something and then I turn around and there's a hoard of gatekeeping assholes going

"THAT PERSON ACTUALLY SAID SOMETHING SUPER CONTROVERSIAL 8 YEARS AGO AND IF YOU LIKE THEIR CONTENT YOU SHOULD GO STRAIGHT TO HELL BECAUSE NO ONE LIKES YOU AND YOUR INTERESTS ARE SHIT"

Like nice as if I wasn't already self conscious about letting myself just enjoy a piece of media which has helped me cope through my increasingly declining mental health because I'm scared of coming across as "cringe" or "weird" because I've forced myself into this mindset that I need to constantly be super mature which has led me to just straight up not be able to just enjoy doing things.

I'm tired, feel nauseous and angry and I just want to enjoy something and not feel like I shouldn't enjoy it at all.

[the-physicality]

..

[artemismatchalatte]

I have no idea what I'm going to do for NaNoWriMo this year. I feel very uninspired lately.

I just want to do well in my class and my energy has been low lately (season change on my new medicine, I'm guessing???). I need some energy because it's Shakespeare and I need to keep my grades up to stay in the honors society (no pressure lol).

Much More in the tags as per usual... :P

[astrolovecosmos]

How to Get in Touch with Your North Node

Aries NN: Play more games or join more competitions. Make a list of YOUR wants and needs. Go see a movie alone or do more errands alone to exercise independence. Allow yourself to experience anger and passion. Work on healthy anger management tools and skills. Embrace change and the new. Take action more. Don't be afraid to be a little more impulsive. Make a vision board. Focus on your interests from when you were much younger.

Taurus NN: Do some spring cleaning - and even more so, throwing away. Sit or lay on the ground more. How can you enjoy or incorporate nature into your life more? Forgive yourself from times you were tricked, betrayed, or made an ignorant decision. Practice routine. Take time to disconnect from social media. Address your insecurities in a direct or even tangible way. Remember to see the beauty and strengths in yourself. Lean into resourcefulness.

Gemini NN: Try journaling. Read - read - read. Appreciate or accept your inner child, your flaws, your insecurities. If you can't be honest with a friend, partner, or family member reconsider your boundaries with them. Speak your mind more often. Be open to changing your opinions. Take technology breaks. Yet a meditation or self-care app may be useful. Explore different methods of self-expression. Speak as much as you listen and vice versa. Try something new often.

Cancer NN: Take your mental health seriously. Self-care is worth it. Cook a new recipe or learn how to cook. Practice self-awareness/introspection more often. Consider therapy or self-help books and media. Appreciating and finding strength in your soft side will be a needed challenge. Taking care of something even if it is a plant or pet can be fulfilling. Listen to your intuition. Practicing gratitude and giving can be helpful. Go where you feel safe!

Leo NN: Always schedule time for enjoyment, pleasure, hobbies, indulgence. Hike. Spoil yourself but be sure to spoil others too. Go out to more parties and events. Channel your passion and anger into productivity. Stretch and practice yoga. Do breathing exercises. Get up early more often. Make art - create something. Be open minded to romance and/or affection. Take pride in yourself and life.

Virgo NN: Practice more realism and/or humility. Take part in puzzles, riddles, and anything that uses logic or critical thinking. Tap into your society's common sense and norms that can be most helpful to you. Volunteer or take part in charities. Be part of a team somehow. Reexamine your relationship with work. Surprise someone you care about with a gift, favor, trip, etc. Recognize your talents and skills. Learn a new skill or work on improving a craft. Practice healthy eating and exercise habits!

Libra NN: Be more mindful and selective of who you befriend and date. Practicing self-love is a must. Return favors often. Spend more quality time with that person you haven't seen lately. Be open to frequent date nights, couples counseling, couple events, and double dates if you have a partner. Balance alone time with social time. Get in touch with your romantic and artistic side. Practice objectivity when you can. Don't compare yourself to others. Embrace independence but don't forget to also embrace giving and receiving in relationships.

Scorpio NN: INTROSPECTION NEEDED. Distance yourself from media or people that cause anger, frustration, or heavy sadness or doubt. Self-control is important to practice. Don't lie to yourself! Journal, maybe try a dream journal. Don't underestimate your intuition. Go out in nature. Try something new based on your hunches. Examine yours and others intentions closely. Celebrate the small wins. Get out of your head and get out of your own way. Focus on your goals. Practice and enforce self-respect.

Sagittarius NN: Don't be afraid to explore beliefs and ideals that are very different from yours. Practice independence. Take a few more risks. Give yourself a pep talk. Try power poses. Stick to your morals and your gut. Be honest. Look at the big picture more often. Knowledge is power should be your motto. Learn something new. Speak confidently. Practice authenticity. Try to be present. Make a plan to accomplish small goals and eventually move onto larger goals.

Capricorn NN: Speak up more in meetings! Try going for that promotion or position. Understand the power and importance of money and materialism. Practice self-control and self-discipline. Be more patient. Study or look into history, economics, investments, politics, or business. Work on your boundaries actively. Practice decisiveness when you can. Put yourself first responsibly. Question authority often. Make moves that are more thoughtful or strategic. Pay attention to who supports you and who doesn't. Avoid rushing. Work on trusting yourself.

Aquarius NN: Understand and accept other's intentions. Let go of unhealthy attachments. Practice independence often. Explore themes of rebellion and empowerment. Practice cooperation. Don't resist change. Materialism is not your friend. Try to find what inspires you and be around it often. Cultivating healthy friendships is important. Explore unconventional ideas. Face the unknown when you can. Look at the big picture. Laugh when you can. Practice more tolerance.

Pisces NN: Tapping into your beliefs and exploring spirituality or religion is a major theme. Embrace sensitivity, empathy, and kindness. Give when you can. Don't just relate to others - see yourself in them. Find beauty in yours and others' flaws. Take the scenic route. Practice self-reflection. Practice flexibility and leave behind energy-draining goals or pursuits that don't offer personal fulfillment. Idealism and positive thinking can be helpful at times. Honestly... get lost in yourself or even another sometimes, just remember to come back up to the surface.